This phasing ability also allows the user to pass through solid matter. Find scary-good deals on high-quality Mens Super Skin Suits in all shapes & sizes.
These objects can be rematerialized inside other objects, displacing the internal material of the object. This allows the objects to phase into physical objects, as they cannot interact with anything but Gypsy Road itself.
Moving an object along this axis is the most difficult and time consuming ability the stand possesses, and the process can take several hours, if not days.įifth Dimension, Parallels: By manipulating the fifth axis, Gypsy Road can change an object’s dimensional state, moving it above the normal level of reality. This can be used to rapidly age and object, or return it to a previous state. It can use this to increase the total volume of an object.įourth Dimension, Time: By manipulating the fourth axis, Gypsy Road can move and object through it’s states at various points of time. Third Dimension, Depth: By manipulating the third axis, Gypsy Road can increase or decrease the depth of an object. on the variety of the beverage (Pepsi, Diet Pepsi, Twisted Pepsi, etc).
PEPSI MAN JOJO SERIES
The character gained wide recognition across Pepsi’s markets in East Asia after making his debut through a series of 12 TV spot commercials and tie-in media throughout the 1990’s. Second Dimension, Height: By manipulating the second axis, Gypsy Road can increase or decrease the height of an object. I turned PepsiMan into a stand because I couldnt get that idea out of my head (I. Pepsiman ( Pepushiman) is the semi-famous, yet little-known superhero mascot for Pepsi’s Japan division. Gypsy Road can manually reposition objects along these axes.įirst Dimension, Length: By manipulating the first axis, Gypsy Road can increase or decrease the width of an object. These dimensions range from the first dimension to the fifth, with each dimension having an axis which it can slide along. Gypsy Road is capable of manipulating the physical dimensions of any object it touches.
0 kommentar(er)
